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Stravinsky, Igor (1882-1971)

The following sources are recommended by a professor whose research specialty is the composer Igor Stravinsky.


Six Superlative Sources

· Carr, Maureen A. Multiple Masks: Neoclassicism in Stravinsky's Works on Greek Subjects. University of Nebraska Press, 2002.

· Cross, Jonathan. The Stravinsky Legacy. Cambridge University Press, 1998.

· Straus, Joseph N. Stravinsky's Late Music. Cambridge University Press, 2001.

· Taruskin, Richard. Stravinsky and the Russian Traditions. 2 vols. University of California Press, 1996.

· van den Toorn, Pieter C. The Music of Igor Stravinsky. Yale University Press, 1983.

· Walsh, Stephen. Stravinsky: A Creative Spring: Russia and France, 1882-1934. Alfred A. Knopf, 1999.

Other Excellent Sources

· Andriessen, Louis, and Elmer Schonberger. The Apollonian Clockwork: On Stravinsky. Translated by Jeff Hamburg. Oxford University Press, 1990.

· Asafiev, Boris. A Book about Stravinsky. Translated by Richard F. French. 1929; Reprint, UMI Research Press, 1982.

· Austin, William W. Music in the 20th Century: From Debussy through Stravinsky. W.W. Norton, 1966.

· Boulez, Pierre. "Stravinsky: Style or Idea? In Praise of Amnesia." In Orientations, edited by Jean-Jacques Nattiez, translated by Martin Cooper, 349-59. Harvard University Press, 1985.

· Carr, Maureen A. "Le Carillon féerique, une clef disparue de l'Oiseau de Feu." Analyse musicale 32 (July 1993): 40-53.

· Carr, Maureen A. "Igor Stravinsky et Charles-Albert Cingria." In Érudition et liberté: L'universe de Charles-Albert Cingria, edited by Doris Jakubec, translated by Lynn Palermo, 259-80. Gallimard, 2000.

· Cone, Edward T. "The Progress of a Method." Perspectives of New Music 1, no. 1 (1962): 18-26.

· Cone, Edward T. "The Uses of Convention: Stravinsky and His Models." The Musical Quarterly 8 (1962): 287-99.

· Copland, Aaron. "Stravinsky's Oedipus Rex." New Republic 54 (1928): 68-69.

· Cox, Jeremy. "'Le Théâtre forain': Historical and Stylistic Connections between 'Parade' and 'Histoire du soldat.'" Music and Letters 76 (1995): 572-92.

· Craft, Robert. "A Personal Preface." The Score 20 (June 1957): 7-13.

· Craft, Robert. Chronicle of a Friendship. Revised and expanded edition. Vanderbilt University Press, 1994.

· Craft, Robert. The Moment of Existence. Vanderbilt University Press, 1996.

· Craft, Robert. "Roland-Manuel and the Poetics of Music." Perspectives of New Music 21 (1982-83): 487-505.

· Craft, Robert, ed. The Rite of Spring: Sketches. With commentary by Robert Craft. Boosey and Hawkes, 1969.

· Cross, Jonathan, ed. Stravinsky. Cambridge University Press, 2003.

· Dufour, Valérie. Strawinsky à Bruxelles, 1920-1960. Académie Royale de Belgique, 2003.

· Dushkin, Samuel, "Working with Stravinsky." In Igor Stravinsky, edited by Edwin Corle. Merle Armitage, 1949.

· Engelhardt, Jürgen, and Dietrich Stern. "Verfremdung und Parodie bei Strawinsky." Melos 3, no. 2 (1977): 104-08.

· Evans, Joan. "'Diabolus triumphans': Stravinsky's Histoire du Soldat in Weimar and Nazi Germany." In The Varieties of Musicology: Essays in Honor of Murray Lefkowitz, edited by John J. Daverio and John Ogasapian, 175-85. Detroit Monographs in Musicology/Studies in Music No. 29, Harmonie Park Press, 2000.

· Evans, Joan. "Stravinsky's Music in Hitler's Germany." Journal of the American Musicological Society 56, no. 3 (2003): 525-94.

· Forte, Allen. The Harmonic Organization of the Rite of Spring. Yale University Press, 1978.

· Forte, Allen. The Structure of Atonal Music. Yale University Press, 1973.

· Gordon, Thomas Patrick. "Stravinsky and the New Classicism: A Critical History, 1911-1928." Ph.D. Dissertation, University of Toronto, 1983.

· Graybill, Roger Carper. "Intervallic Transformation and Closure in the Music of Stravinsky." Theory and Practice 14-15 (1989-90): 13-34.

· Gruber, Gernot. "Bermerkungen zu Igor Stravinsky's Oedipus Rex." In Antike Mythen im Musiktheater des 20. Jahrunderts: Gesammelte Vorträge des Salzburger Symposions 1989, 231-44. U. Müller-Speiser, 1990.

· Haimo, Ethan, and Paul Johnson, eds. Stravinsky Retrospectives. University of Nebraska Press, 1987.

· Horlacher, Gretchen. "Formal Development in Stravinsky's Ostinati." Music Theory Spectrum 14, no. 2 (Fall 1992): 178-80.

· Horlacher, Gretchen. "Running in Place." Music Theory Spectrum 23, no. 2 (Fall 2001): 196-216.

· Jordan, Stephanie, and Larraine Nicholas. Stravinsky the Global Dancer: A Chronology of Choreography to the Music of Igor Stravinsky. Roehampton University of Surrey.

· Joseph, Charles M. Stravinsky and Balanchine: A Journey of Invention. Yale University Press, 2002.

· Joseph, Charles M. Stravinsky Inside Out. Yale University Press, 2001.

· Karlinsky, Simon. "Stravinsky and Russian Pre-Literate Theater." Nineteenth Century Music 6, no. 3 (1983): 232-40.

· Kielian-Gilbert, Marianne. "Stravinsky's Contrasts: Contradiction and Discontinuity in his Neoclassic Music." Journal of Musicology 9, no. 4 (Fall, 1991): 448-80.

· Lang, Paul Henry. Stravinsky: A New Appraisal of His Work. W.W. Norton, 1963. Includes "A Selected Bibliography of Igor Stravinsky," compiled by Carroll D. Wade, 87-109.

· Lessem, Alan. "Schoenberg, Stravinsky, and Neo-Classicism: The Issues Reexamined." Musical Quarterly 68 (1982): 527-42.

· Mazo, Margarita. "Stravinsky's Les Noces and Russian Folk Wedding Ritual." Journal of the American Musicological Society 43, no. 1 (Spring 1990): 99-142.

· Messing, Scott. Neo-Classicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic Studies in Musicology No. 101, UMI Research Press, 1988.

· Messing, Scott. "Polemic as History: The Case of Neoclassicism." Journal of Musicology 9, no. 4 (Fall 1991): 481-97.

· Myers, Rollo H. "Some Thoughts Suggested by Stravinsky's 'Avertissement.'" Dominant 1, no. 5 (Mar. 1928): 32-34.

· Pasler, Jann, ed. Confronting Stravinsky: Man, Musician and Modernist. University of California Press, 1986.

· Ramuz, C.F. Souvenirs sur Igor Strawinsky. Editions de l'Aire, 1978.

· Rogers, Lynne. "Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto." Journal of Musicology 17, no. 2 (Spring, 1999): 272-303.

· Rogers, Lynne. "Stravinsky's Break with Contrapuntal Tradition: A Sketch Study." Journal of Musicology 13, no. 4 (Fall 1995): 476-507.

· Roland-Manuel, Alexis. "Anticipations." Musique, revue mensuelle 2, no. 5 (Feb. 1929): 747-50.

· Roland-Manuel, Alexis. "Démarche de Stravinsky." Revue musicale 191 (May-June 1939): 15-18.

· de Schloezer, Boris. "A Classic Art." Translated by Ezra Pound. Dial 86, no. 6 (June 1929): 463-74; Dial 86, no. 7 (July 1929): 597-608.

· de Schloezer, Boris. "L'Oedipus Rex de Stravinsky." Revue Pleyel 45 (1927): 291-93.

· de Schloezer, Boris. "The Problem of Style." Translated by Ezra Pound. Dial 86, no. 4 (April 1929): 298-303; Dial 86, no. 5 (May 1929): 394-403.

· de Schloezer, Boris. "Stravinsky: His Technique." Translated by Ezra Pound. Dial 86, no. 1 (January 1929): 9-26; Dial 86, no. 2 (February 1929): 105-15.

· Schnaeffner, André. Stravinsky. Les Editions Tieder, 1931.

· Sessions, Roger. "On Oedipus Rex." Modern Music 5, no. 3 (March-April, 1928): 9-15.

· Straus, Joseph N. Introduction to Post-Tonal Theory. 2nd edition. Prentice Hall, 2000.

· Straus, Joseph N. "A Principle of Voice Leading in the Music of Stravinsky." Music Theory Spectrum 4 (1982): 106-24.

· Straus, Joseph N. Remaking the Past. Harvard University Press, 1990.

· Stravinsky, Igor. An Autobiography. English translation of Chroniques de ma vie, Denoël et Steele, 1936. W.W. Norton, 1998.

· Stravinsky, Igor. "A Warning." Appears also as "Avertissement." Dominant 1, no. 2 (December 1927): 13-14.

· Stravinsky, Igor. Poetics of Music in the Form of Six Lessons. Translated by Arthur Knodel and Ingolf Dahl. Harvard University Press, 1970.

· Stravinsky, Igor. Poétique musicale. Edited by Myriam Soumagnac. Harmonique Flammarion, 2000.

· Stravinsky, Igor. Themes and Conclusions. University of California Press, 1982.

· Stravinsky, Igor, and Robert Craft. Conversations with Igor Stravinsky. University of California Press, 1980.

· Stravinsky, Igor, and Robert Craft. Dialogues. University of California Press, 1982.

· Stravinsky, Igor, and Robert Craft. Dialogues and a Diary. Doubleday, 1963.

· Stravinsky, Igor, and Robert Craft. Expositions and Developments. University of California Press, 1959.

· Stravinsky, Igor, and Robert Craft. Memories and Commentaries. University of California Press, 1981.

· Stravinsky, Vera, and Robert Craft. Stravinsky in Pictures and Documents. Simon and Schuster, 1978.

· Taruskin, Richard. "Back to Whom? Neoclassicism as Ideology." Nineteenth-Century Music 16, no. 3 (Spring 1993): 286-302.

· Taruskin, Richard. "Chernomor to Kaschei: Harmonic Sorcery; or, Stravinsky's 'Angle.'" American Musicological Society 38, no. 1 (Spring 1985): 72-142.

· Taruskin, Richard. "Chez Petrouchka: Harmony and Tonality chez Stravinsky." 19th-Century Music 10, no. 3 (Spring 1987): 265-86.

· Taruskin, Richard. Defining Russia Musically. Princeton University Press, 1997.

· van den Toorn, Pieter C. Music, Politics, and the Academy. University of California Press, 1995.

· van den Toorn, Pieter C. Stravinsky and "The Rite of Spring": The Beginnings of a Musical Language. University of California Press, 1987.

· van den Toorn, Pieter C. "Stravinsky, Les Noces (Svadebka), and the Prohibition against Expressive Timing." Journal of Musicology 20, no. 2 (Spring 2003): 285-304.

· van den Toorn, Pieter C. "Will Stravinsky Survive Postmodernism?" Music Theory Spectrum 22, no. 1 (Spring, 2000): 104-21.

· Vlad, Roman. Stravinsky. 3rd edition. Translated by Frederick Fuller. Oxford University Press, 1985.

· Walsh, Stephen. The Music of Stravinsky. Clarendon Press, 1993.

· Walsh, Stephen. Oedipus Rex. Cambridge University Press, 1993.

· Walsh, Stephen. "Stravinsky, Igor." In The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie, vol. 24, 528-67. Grove's Dictionaries, 2001.

· Watkins, Glenn. Pyramids at the Louvre. Harvard University Press, 1994.

· White, Eric Walter. Stravinsky. University of California Press, 1979.

· Whittall, Arnold. Musical Composition in the Twentieth Centure. Oxford University Press, 1999.

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