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Music and Literature
The following sources are recommended by a professor whose research specialty is music and literature.

Six Superlative Sources

· Youens, Susan, Hugo Wolf and His Mörike Songs, Cambridge University Press, 2000.

· Breatnach, Mary, Boulez and Mallarmé: A Study in Poetic Influence, Aldershot, England: Scolar Press; Ashgate Publishing, 1996.

· Bruhn, Siglind, Musical Ekphrasis in Rilke's MARIEN-LEBEN, Rodopi, 2000.

· Youens, Susan, Retracing a Winter's Journey: Schubert's Winterreise, Cornell University Press, 1991.

· Kramer, Lawrence, Music and Poetry: The Nineteenth Century and After, University of California Press, 1984.

· Hertz, David, The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement, Indiana University Press, 1987.

Other Excellent Sources

· Abbate, Carolyn, Unsung Voices: Opera and Musical Narrativity in the Nineteenth Century, Princeton University Press, 1991.

· Barry, Kevin, Language, Music, and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge, Cambridge University Press, 1987.

· Brown, Calvin S., Music and Literature, a Comparison of the Arts, University of Georgia Press 1987 (1948).

· Cluck, Nancy Anne, ed., Literature and Music: Essays on Form, Brigham Young University Press, c1981.

· Danuser, Hermann, Musikalische Prosa, G. Bosse, 1975.

· Escal, Françoise, Contrepoints: Musique et Littérature, Méridiens Klincksieck, 1990.

· Gier, Albert, Das Libretto: Theorie und Geschichte einer Musikoliterarischen Gattung, Wissenschaftliche Buchgesellschaft, 1998.

· Knapp, Bettina Liebowitz, Music, Archetype, and the Writer: A Jungian view, Pennsylvania State University Press, 1988.

· Kirby-Smith, Henry Tompkins, The Celestial Twins: Poetry and Music through the Ages, University of Massachusetts Press, 1999.

· Lanier, Sidney, Music and Poetry: Essays upon Some Aspects and Inter-Relations of the Two Arts, Haskell House, 1969.

· Martin, Timothy Peter, Joyce and Wagner: A Study of Influence, Cambridge University Press, 1991.

· Meister, Barbara, Art Song: The Marriage of Music and Poetry, Longwood Academic, 1992.

· Neubauer, John, The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics, Yale University Press, 1986.

· Piette, Isabelle, Littérature et Musique: Contribution à une Orientation Théorique (1970-1985), Presses Universitaires de Namur, 1987.

· Scher, Steven Paul, ed., Literatur und Musik: Ein Handbuch zur Theorie und Praxis eines Komparatistischen Grenzgebietes, E. Schmidt, 1984.

· Scher, Steven Paul, ed., Music and Text: Critical Inquiries, Cambridge University Press, 1992.

· Unger, Hans Heinrich, Die Beziehungen zwischen Musik und Rhetorik im 16.-18. Jahrhundert, G. Olms, Musik und Geistesgeschichte, Bd. 4.

· Winn, James Anderson, Unsuspected Eloquence: A History of the Relations between Poetry and Music, Yale University Press, 1981.

· Youens, Susan, Schubert, Die Schöne Müllerin, Cambridge University Press, 1992.

· Youens, Susan, Schubert's Poets and the Making of Lieder, Cambridge University Press, 1996.

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