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Schenkerian Analysis | |
The following sources are recommended by a professor whose research specialty is Schenkerian analysis. |
· Schenker, Heinrich. Free Composition (Der Freie Satz). Translated and edited by Ernst Oster. 2 vols. Longman, 1979.
· Schenker, Heinrich. Das Meisterwerk in der Musik. 3 vols. Drei Masken Verlag, 1925, 1926, 1930. English translations: The Masterwork in Music, Volume 1: A Yearbook (1925). Translated by Ian Bent, William Drabkin, Richard Kramer, John Rothgeb, and Hedi Siegel. Edited by William Drabkin. Cambridge University Press, 1994. The Masterwork in Music, Volume 2: A Yearbook (1926). Translated by Ian Bent, William Drabkin, John Rothgeb, and Hedi Siegel. Edited by William Drabkin. Cambridge University Press: 1996. The Masterwork in Music, Volume 3: A Yearbook (1930). Translated by William Drabkin, Ian Bent, Derrick Puffet, and Alfred Clayton. Edited by William Drabkin. Cambridge University Press, 1997.
· Jonas, Oswald. Introduction to the Theory of Heinrich Schenker. Longman, 1982.
· Salzer, Felix, and Schachter, Carl. Counterpoint in Composition. Columbia University Press, 1989.
· Beach, David, ed. Aspects of Schenkerian Theory. Yale University Press, 1983.
· Cadwallader, Allen, ed. Trends in Schenkerian Research. Schirmer Books, 1990.
· Forte, Allen, and Gilbert, Steven E. Introduction to Schenkerian Analysis. Norton, 1983.
· Rothstein, William. Phrase Rhythm in Tonal Music. Schirmer Books, 1989.
· Salzer, Felix. Structural Hearing. 2 vols. Dover Publications, 1962.
· Schenker, Heinrich. Harmony. Translated by Elisabeth Mann Borgese. Edited and annotated by Oswald Jonas. MIT Press, 1973.
· Schenker, Heinrich. Counterpoint. 2 vols. Translated by John Rothgeb and Jürgen Thym. Edited by John Rothgeb. Schirmer Books, 1987.
· Schenker, Heinrich. Five Graphic Music Analyses. Dover Publications, 1969.
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