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Cummings, E.E. (Edward Estlin) (1894-1962)

The following sources are recommended by a professor whose research specialty is E.E. Cummings.


Six Superlative Sources

· Cohen, Milton A. Poet and Painter: The Aesthetics of E.E. Cummings's Early Work. Wayne State University Press, 1987.

· Friedman, Norman. E.E. Cummings: The Art of His Poetry. Johns Hopkins University Press, 1960.

· Friedman, Norman. E.E. Cummings: A Collection of Critical Essays. Prentice Hall, 1972.

· Kennedy, Richard S. Dreams in the Mirror: A Biography of E.E. Cummings. Liveright, 1980.

· Kidder, Rushworth. E.E. Cummings: An Introduction to the Poetry. Columbia University Press, 1979.

· Rotella, Guy, ed. Critical Essays on E.E. Cummings. G.K. Hall, 1984.

Other Excellent Sources

· Cureton, Richard. "E.E. Cummings: A Case Study of Iconic Syntax." Language and Style 14 (1981): 185-215.

· Cureton, Richard. "'he danced his did': an analysis." Journal of Linguistics 16 (1980): 245-62.

· Cureton, Richard. "Poetic Syntax and Aesthetic Form." Style 14 (1980): 381-40.

· Cureton, Richard. "Visual Form in E.E. Cummings' No Thanks." Word and Image 2 (1986): 245-77.

· Friedman, Norman. E.E. Cummings: The Growth of a Writer. Southern Illinois University Press, 1964.

· Friedman, Norman. (Re)valuing Cummings: Further Essays on the Poet, 1962-1993. University Press of Florida, 1996.

· Heusser, Martin. I Am My Writing: The Poetry of E.E. Cummings. Stauffenburg Verlag, 1997.

· Kennedy, Richard. E.E. Cummings Revisited. Twayne, 1994. Twayne's United States Authors Series No. 637.

· Miller, Lewis H. "Advertising in Poetry: A Reading of E.E. Cummings' 'Poem, or Beauty Hurts Mr. Vinal,'" Word and Image 2 (1986): 349-362.

· Miller, Lewis H. "Sex on Wheels: A Reading of 'she being Brand / -new,'" Spring 6 (1997): 55-69.

· Norman, Charles. E.E. Cummings, The Magic Maker. Rpt. Little, Brown, 1972.

· Webster, Michael. Reading Visual Poetry after Futurism: Marinetti, Apollinaire, Schwitters, Cummings. Peter Lang, 1995.

· Webster, Michael. "E.E. Cummings and the Reader: Technique as Critique." Interart Poetics: Essays on the Interrelations of the Arts and Media. Ed. Ulla-Britta Lagerroth, Hans Lund, and Erik Hedling. Rodopi, 1997. 223-232.

· Webster, Michael. "'singing is silence': Being and Nothing in the Visual Poetry of E.E. Cummings." Form Miming Meaning: Iconicity in Language and Literature. Ed. Olga Fischer and Max Nänny. John Benjamins, 1999. 199-214.

· Wegner, Robert E. The Poetry and Prose of E.E. Cummings. Harcourt, Brace and World, 1965.

· Welch, Michael Dylan. "The Haiku Sensibilities of E.E. Cummings." Spring: The Journal of the E.E. Cummings Society. New Series 4 (1995): 95-120.

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